Most Popular

  • American Girls
    Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
  • The Man Who Would Be King
    Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
  • Bless Us, Oh Lard
    Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
  • For Whom the Bell Tolls
    Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
  • Sexy Town
    Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Ben Westhoff

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Gnarls Barkley

The Odd Couple (Atlantic)

By Ben Westhoff

Published on April 10, 2008

We expect a lot from our indie-ethos, crossover pop stars nowadays, even from a duo as inspired as Gnarls Barkley, aka DJ Danger Mouse and rapper Cee-Lo. We expect guilt-free-yet-radio-worthy earworms like "Crazy," not to mention genuine pathos, ground-breaking production and minimal amounts of filler—all of which Gnarls Barkley managed to deliver on its debut, St. Elsewhere. And then, on their follow-up album, we not only expect all of that but artistic growth too.

Not surprisingly, The Odd Couple does not entirely succeed on the basis of these insane standards. The catchy songs—"Run (I'm a Natural Disaster)," "Going On"—aren't especially introspective. And the introspective songs—"Whatever," "She Knows"—lack St. Elsewhere's improvised (or, if you prefer, batshit insane) feel.

But, viewed by rational standards, The Odd Couple is a well-crafted, consistent album that will likely sound better on the 100th spin than the 10th. Cee-Lo's manic-depressive shtick is strangely endearing, and Danger Mouse mines '60s and '70s Top 40 and soul samples effortlessly while throwing wildly inventive beats into the mix as well ("Blind Mary," "Open Book"). The album maintains an avant-garde sensibility that still works as pop, though. And if you need more than that, I don't know what to tell you.



Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com