• Genre: Drama
  • Release Date: 08/29/2008
  • Running Time: 90 mins
  • Director: Mathieu Kassovitz
  • Cast: Vin Diesel, Michelle Yeoh, Melanie Thierry, Gérard Depardieu, Charlotte Rampling, Mark Strong, Lambert Wilson, Jérôme Le Banner, Joel Kirby, Souleymane Dicko
  • Producer: Ilan Goldman
  • Writer: Mathieu Kassovitz, Eric Besnard
  • Distributor: 20th Century Fox
  • Offical Site: Click Here
  • Buy Tickets

Box Office

  1. Quantum of Solace, 67.5 million, 67.5 million
  2. The Dark Knight, 26.1 million, 441.6 million
  3. Madagascar: Escape 2 Africa, 35.0 million, 116.9 million
  4. Pineapple Express, 23.2 million, 41.3 million
  5. Role Models, 11.2 million, 37.6 million
  6. The Mummy: Tomb of the Dragon Emperor, 16.5 million, 71.0 million
  7. The Sisterhood of the Traveling Pants 2, 10.7 million, 19.6 million
  8. High School Musical 3: Senior Year, 5.7 million, 84.2 million
  9. Step Brothers, 9.1 million, 81.1 million
  10. Changeling, 4.3 million, 27.6 million
  11. Mamma Mia!, 8.2 million, 104.1 million
  12. Zack and Miri, 3.1 million, 26.5 million
  13. Journey to the Center of the Earth, 4.9 million, 81.8 million
  14. Soul Men, 2.4 million, 9.4 million
  15. The Secret Life of Bees, 2.3 million, 33.6 million
  16. Hancock, 3.3 million, 221.7 million
  17. Saw V, 1.8 million, 55.4 million
  18. WALL-E, 3.1 million, 210.2 million
  19. Beverly Hills Chihuahua, 1.6 million, 90.9 million
  20. Swing Vote, 3.1 million, 12.0 million
Movie Title, Weekly Earnings, Total Earnings

Babylon A.D.

Hardly the utter fiasco promised by its lengthy delay and no-press dumping on Labor Day weekend, Mathieu Kassovitz's Babylon A.D. arrives shorn of 10 minutes of its European running time, and God knows what else cut before the film ever made it into any theater. In a vague post-apocalyptic future, mercenary Toorop (Vin Diesel) hides out in Russia until mobster Gorsky (Gérard Depardieu!) hires him to smuggle Aurora (Mélanie Thierry) into the U.S. Unsurprisingly, two factions led by cult actors—Lambert Wilson as Aurora's father on one side, and the ever-freaky Charlotte Rampling as mom, a/k/a High Priestess, the CEO of the Neolite sect, on the other—attempt to kill them along every step of their journey. What's missing here are the seeds that would explain what Kassovitz increasingly seems to be angling for in the back half: a dystopian vision of a society in which organized religion is exclusively the pretext for global corporate dominance. Without whatever strident critique Kassovitz intends, it's a typical B action movie—the inevitable pseudo-warm bonding scenes deadly, the fights largely incoherent—with the occasional pleasing set-piece. If nothing else, it's nice to see an action movie that takes Europe, not America, as its grounding point. And depicting Russia as the world's future dominant power suddenly seems oddly prescient. — Vadim Rizov

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