• Genre: SciFi/Fantasy
  • Release Date: 09/19/2008
  • Running Time: 102 mins
  • Director: David Koepp
  • Cast: Ricky Gervais, Téa Leoni, Greg Kinnear, Billy Campbell, Kristen Wiig, Dana Ivey
  • Producer: Gavin Polone
  • Writer: David Koepp, John Kamps
  • Distributor: DreamWorks/Paramount Distribution
  • Offical Site: Click Here
  • Watch Trailer
  • Buy Tickets

Box Office

  1. Quantum of Solace, 67.5 million, 67.5 million
  2. The Dark Knight, 26.1 million, 441.6 million
  3. Madagascar: Escape 2 Africa, 35.0 million, 116.9 million
  4. Pineapple Express, 23.2 million, 41.3 million
  5. Role Models, 11.2 million, 37.6 million
  6. The Mummy: Tomb of the Dragon Emperor, 16.5 million, 71.0 million
  7. The Sisterhood of the Traveling Pants 2, 10.7 million, 19.6 million
  8. High School Musical 3: Senior Year, 5.7 million, 84.2 million
  9. Step Brothers, 9.1 million, 81.1 million
  10. Changeling, 4.3 million, 27.6 million
  11. Mamma Mia!, 8.2 million, 104.1 million
  12. Zack and Miri, 3.1 million, 26.5 million
  13. Journey to the Center of the Earth, 4.9 million, 81.8 million
  14. Soul Men, 2.4 million, 9.4 million
  15. The Secret Life of Bees, 2.3 million, 33.6 million
  16. Hancock, 3.3 million, 221.7 million
  17. Saw V, 1.8 million, 55.4 million
  18. WALL-E, 3.1 million, 210.2 million
  19. Beverly Hills Chihuahua, 1.6 million, 90.9 million
  20. Swing Vote, 3.1 million, 12.0 million
Movie Title, Weekly Earnings, Total Earnings

Ghost Town

It takes a good while for Ricky Gervais to warm up in Ghost Town; it takes even longer for the audience to warm to Ricky Gervais. During the opening minutes of the film—an occasionally effective mash-up of Ghost, The Sixth Sense, and The Frighteners—Gervais is nearly mute as Bertram Pincus, D.D.S., a dentist who enjoys his work because it allows him the peace and quiet that comes with sticking cotton balls into his patients' mouths. He's a "sad little man," says one observer; "a fucking prick," says another. But following a brief period of death on an operating table, Bertram sees dead people. And the dead, of course, bring Bertram back to life—especially Greg Kinnear's tuxedoed Frank, offed while shouting down the realtor who revealed his affair. Frank latches onto Bertram in the desperate hope that he can bust up the remarriage of his widow (Tea Leoni). If it sounds all so pale and predictable, it is. Director and co-writer David Koepp, more or less remaking his 1999 film Stir of Echoes with a romantic-comedy's dopey grin this time, does little to break with the genre's conventions. But Ghost Town, dead on arrival throughout much of its first half, picks up as it slows down—when it ditches the decidedly dreary romantic slapshtick of the living and focuses, however briefly, on the needy, aching dead. — Robert Wilonsky

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